3.1.3 - Planning and organising a persuasive formal presentation
This lesson is about selecting and organising information and ideas effectively and persuasively for a prepared spoken presentation. The specification places that skill inside a planned, organised formal individual presentation on a specific topic. You will turn a position into a flexible, audience-aware outline whose reasons, support, explanations, signposts and ending develop rather than merely accumulate.
Plan for listeners, not a page
From your topic, purpose and audience choices, write one sentence that completes this thought: After listening, I want this audience to think, feel or do... This is the controlling purpose of the presentation. Each later move should help that audience reach it.
A formal presentation is prepared for a formal setting, but it need not sound stiff or distant. It may be a talk, speech, debate contribution or dialogue, provided that the student gives an extended individual presentation. The topic is agreed with the teacher in advance, and AQA gives no more than ten minutes overall for the presentation and questioning as guidance rather than an extra scored threshold.
Plan for ears rather than for a silent reader.
Listeners cannot move their eyes back up a page, so they need a clear main position, relevant support, explained connections and signals showing why the presentation is moving on. They also need enough context to understand the issue without already sharing your knowledge.
Your centre and teacher conduct and assess the endorsement, and the final presentation must be your own work.
Build an expert listener route
Consider this planning brief.
A student will address students and staff to persuade them to approve a six-week trial of a quiet lunch room on Tuesdays and Fridays. A side room is unused at those times; the main hall and courtyard would remain social spaces; and the student council could collect feedback after the trial. Some listeners are concerned that the plan might remove space from clubs.
An expert does not begin by decorating sentences. They decide what the mixed audience needs to understand, and in what order:
| Planned move | Content to develop | Why the audience needs it here |
|---|---|---|
| Opening | A recognisable contrast: lunch offers many social spaces but no planned quiet option; state support for a trial | Gives the proposal a human reason and makes the position clear |
| Need | Explain that choice matters because students do not all use break time in the same way | Turns a preference into a reason relevant to students and staff |
| Practical proposal | Identify the side room, the two days and the six-week limit | Answers the staff audience's likely questions about feasibility |
| Concern and response | Acknowledge club access; check the club timetable before agreeing the trial slots and explain that a conflict or feedback could require adjustment | Shows that persuasion can test a concern rather than hide it |
| Ending | Return to the idea of adding a choice, then ask the audience to support the trial | Leaves a precise message and a realistic next action |
The presentation might move from need to workable response to tested concern to action, but that is a choice for this situation, not a compulsory formula. A speaker could instead begin with a short hypothetical example, or place the concern earlier if that is what the audience most needs answered.
A weaker alternative would open with the room timetable, list several benefits, add the word however before the club concern and finish with “That's all.” Its details are not necessarily wrong, but the logistics arrive before listeners know why they matter, the benefits are not explained, however disguises rather than develops the relationship, and the ending gives the audience no final priority.
Make support earn its place
A persuasive point becomes convincing through development, not through the number of facts or techniques attached to it.
Evidence
Verifiable support: for example, relevant data, an attributed expert view, a documented observation or accurate information from a reliable source.
Example
A case that makes an idea concrete. It may come from researched reality or be an honestly signalled hypothetical case.
Explanation
Shows why the evidence or example supports the position and why it matters to this audience.
These elements are resources, not a fixed sentence order. An anecdote may lead to a claim; a concern may come before the evidence that resolves it; a practical example may do more work than a statistic. The test is whether a listener can follow the connection.
For the quiet-room proposal, the fact that a room is unused on Tuesdays and Fridays supports feasibility. A hypothetical example of a student wanting twenty calm minutes makes the need concrete. The explanation does the persuasive work: the proposal adds a limited choice without taking away the social spaces most students already use. Simply announcing “The room is free” would leave that significance unstated.
In a real presentation, check that evidence is current, relevant to the actual setting and honestly attributed. Do not invent a statistic because it sounds authoritative. Record the source and the precise claim in your planning notes so that your spoken reference is accurate.
Signpost development for the audience
Signpost
A short piece of listener guidance that names the relationship between ideas.
Signposts should name the relationship between ideas, not appear as a collection of impressive connectives.
| Job in the developing talk | Possible spoken signal |
|---|---|
| Make the position clear | “My case is that...” |
| Move from claim to significance | “This matters because...” |
| Add a distinct reason | “There is a second, practical reason...” |
| Test a concern | “A reasonable concern is...; the important distinction is...” |
| Return to the main line | “So what does this mean for us?” |
| Move to action | “For that reason, I am asking...” |
The wording can change. What matters is that the audience knows whether the speaker is advancing, explaining, qualifying, answering or concluding. Repeating firstly, secondly, thirdly may number points without showing how they develop.
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